
Recently, someone asked me how I became such a Beatle-aholic. How or when did all this craziness get its start? Because of my age, some think that I must be a second generation fan - one that became aware of The Beatles in the 1970's, after the breakup. Truth be told, I am a first generation fan - from the very beginning when it was all happening in the 1960's.
Detroit, Michigan was my home for the first decade of my life - the 1960's. My Dad was the manager of a musical instrument store that was located on the posh and happening Woodward Avenue in the heart of Detroit's downtown shopping district. My Mom was a homemaker and part time organ/piano teacher. As a toddler, she would take me with her as she taught her students in their own home. My Dad would take me to his work sometimes and afterward, to the local tavern down the street for an after hour cocktail.

My Dad's office had a storefront on Woodward Avenue, with big glass windows and a glass door that shook a tiny hand bell when opened. The store had two separate offices behind the display area with a storage warehouse behind them in the back. Shiny new electric guitars were either propped on tiny stands in the window or hung carefully on the walls. Drum kits were on the floor along the side wall and the opposite wall had a glass case with tiny finger cymbals, mouth organs, tambourines and maracas. When I would visit my father at work, he was talking on the phone a lot which was kinda boring so I would hang out in the back with the warehouse men - "the guys". Their job was to prepare the merchandise, the guitars, drums, and the rest of the musical inventory for shipping or for display. The "guys" had darker skin than I had and they could never walk into the front of the store. They only stayed in the back, inside the warehouse portion. The guys would tune and play the guitars to make sure everything was in order. My Dad could come and go from the front of the store to the warehouse and so could I. When I came to visit the warehouse, the "guys" would play and sing some songs while I skipped and danced along to their delight. At three, I was quite the ham and enjoyed the songs that they played, mostly from motown and top ten selections. I am sure that "I Want to Hold Your Hand" and "Can't Buy Me Love", best selling Beatles songs at the time were part of the chosen pieces.
After hours, my Dad would bring me with him to the local neighborhood tavern for a festive adult beverage before heading just a few blocks to our rented first floor apartment. I remember the outside, wooden door my Dad would push through with the diamond window near the top. I could only see through the diamond window if my Dad would hold me up in his arms. The inside of the tavern was dark, with a wood paneled interior, with only the neon beer advertising posted above the bar to light the room. There were tall, padded stools along the long wooden bar, too high for me to reach or crawl up to sit. My Dad would sit on a stool, but I couldn't. Since I couldn't reach the stool to climb up and be a part of the conversation, I would instead listen to the music playing from the standing jukebox and pull the cigarette selectors on the cigarette vending machine by the door with the little window.

I am sure "Day Tripper" and "Eleanor Rigby" was played at the bar. The songs sounded familiar, like what the guys played in the warehouse.
My Mom tells me that during her organ and piano lessons, she would have her hands full with students who didn't want to learn the classics - Bach, Brahams, Beethoven, they were too interested in the new Beatles single. How about "All My Loving" or "She Loves You"? they would ask.
At home, my Dad had a box radio that he kept on his nightstand. The yellow wooden box had two dials on the front - one for the radio station selector and one for the clock. My Mom would tell me to nap on the bed and sleep until the pointer moved toward the very top. She turned on the radio to a pop music station for me to fall asleep by. I listened to hours of motown - to Sam Cook, Stevie Wonder, Diana Ross, the Temptations, but I also listened to top ten - The Monkeys, Dave Clark Five, The Four Seasons and The Beatles. I don't remember napping very much but laying quietly, listening. It is no wonder that when Detroit's top Children's TV show, Ooopsie the Clown played "I want to Hold Your Hand" as a puppet moved its mouth to the lyrics, I took notice and sang along.
But the "bug" really didn't hit me or became something I was aware of until I was in early elementary school. By then, we had survived the 1967 Detroit riots, but just barely. My Mom convinced my Dad to move us to the suburbs for safety rather than living in our downtown apartment. I didn't see the "guys" in the warehouse any more after we left. We moved to a northwest suburb of Detroit, just a few miles northwest of town. In 1969, I was sent to a local public school and became friends with kids (instead of the "guys" in the warehouse) that lived on my block, one being a girl in my class whose name was Ana Lia, the youngest of six children. She lived five houses away from me and her home was the most interesting I had ever seen. She had one older sister and four older brothers between 15 and 7. Tina was Ana Lia's oldest sibling of the family and at 17, she was in high school. And she was cool!
Tina had a room all to herself since she was the oldest and sometimes, she would let her kid sister, Ana Lia bring her goofy friend from down the street, Annette, into her room to listen to new records. I remember seeing the albums, at least 20 or so, stacked neatly against her bedroom wall, right by the open top record player that sat on a white wicker side table on top of long green shag carpeting. Her room had pink walls with big psychedelic flower stickers. There was a flower sticker on her ceiling, right over her bed. She didn't have a bed on a frame like I had. Her bed was on the floor, usually unmade, with yellow daisy sheets. She also had a bean bag chair and beads strung on strings that she used in her doorway instead of a door.
Tina would sometimes watch Ana Lia and I after school until Ana Lia's mom would come home from work. Tina's favorite trick to share with us was how to sneak little bits of ice cream by taking spoons, handing them to us and letting us dig out tastes from the carton itself, rather than have it served in a dish, like we had at my house. I thought I was so cool, scooping those little tiny spoonfuls of vanilla ice cream, thinking Ana Lia's mother would never know, because we hadn't dirtied any dishes.

But Tina's great teaching lesson was sharing music and the pop records of the time. She had the new album, "Tommy", by The Who with its blue diamonds on the front, like the old neighborhood tavern door I used to go to with my Dad. There were colorful ones like "Sgt. Pepper" & "Yellow Submarine" and others by Bob Dylan, Jefferson Airplane and Janis Joplin. The cover I liked was the black cover with the photos of four faces on the front know as The Beatles "Let it Be". She would play the record for us as we dug tiny scoops of ice cream out of the cartons and as I got to sit in the bean bag chair, singing along to the songs. Tina knew every word or every song. She would lay back on her bed with her crocheted blue poncho covering her white shirt and her lime green polyester pants that stopped right before her ankles. Tina never wore buckle mary jane leather shoes like me, she got to wear sandals where everyone got to see her toes.

So as Ana Lia and I enjoyed school together with our Dick and Jane readers, fall turned into winter and our class began preparing for Christmas. We decorated carefully cut green construction paper to make Christmas trees for our teach to tape to the wall. My teacher said that our parents were going to come to our school, look at our class rooms and our desks then head to the gym where we would sing a song for them. All the classrooms in our school would get a song to sing.
One day, before the parent's visit, our class walked from our room to the gym where we would rehearse our song. We were to sing standing on the stage in the gym, standing high above the classmates seated in their chairs, facing us on the gym floor. When not on stage, Anna Lia and I sat together clicking our mary janes together to the beat of the songs. Each class, one by one, would rise from their seats, carefully walk to the front of the gym where there was a few stairs leading to a curtain on a stage. I was at the end of the line of my classmates as we rose from our seats and carefully walked up the side wooden stairs. Once on stage, I was closest to the stairs that we just so carefully and quietly practiced marching up.
Once on stage, we faced the audience and our class song to sing was "Let it Snow". The school music teacher, standing on the gym floor before us, had a pointy stick in her hands that she waved. She stood in front of the rest of the school children who were seated on their metal folding chairs.
I started to sing:
"Oh, the weather outside is frightful,
But in here, its so delightful,
So since we have no place to go,
Let it be, Let it be, Let it be . . ."
"STOP!!!!" Cried the teacher, her hand now down at her sides, her nose scrunched, her voice angry. Some of the children seated in the metal chairs drew their hands to their mouths to giggle softly as she reprimanded.
"Try again, children, please sing the right words . . " She rose her hands with one poking the stick in the air a little higher than the other.
"Oh the weather outside is frightful
But in here, it so delightful,
So since we have no place to go
Let it Be, Let it Be, Let it Be!"
The children on the gym floor started laughing louder. Now, my classmates started laughing . .
"Whisper Words of Wisdom . . . " I kept singing, but this time I was singing all by myself. I stopped, realizing I was the only one singing . . . I took a look to the right and my classmates were all looking at me in silent disbelief, some now laughing.
"STOP! Annette!" The teacher took a few steps toward me. "You are singing the wrong words!"
No I'm not, I thought, I am singing
Let it Be - that song about "Mother Mary" and how "she comes to me", the same one in the Christmas story, right? I remember Tina singing it perfectly along with the record.
The teacher on the gym floor ripped her thick framed glasses away from her face as she walked closer toward me and to the stage, away from the rows of noticeably giggling children. "The words are
'Let it Snow, Let it Snow, Let it SNOW!!!!' Now try again." She turned away from me, replaced her glasses and resumed her original spot in front of the stage. She was mad! The children stopped laughing as she faced them in her return walk to her position.
I looked down at my shoes in embarrassment and shame. No one ever looked that mean at me when there was music around. I thought the words were from
"Let it Be". That was the song I knew, not this other one about kissing and corn popping and finding it hard to say goodbye. That song, I didn't learn from the guys in the warehouse, the tavern with the cigarette machine or the radio by the bed.
We finished rehearsing the song on the stage but I simply was mouthing the words, not letting the air escape my lungs for fear I would start to cry. I stoically lead the class back down from the stage to our seats on the gym floor while passing by pointed fingers and hearing snickers from the other students. I was now the girl who didn't know the words to a song that they all knew. Anna Lia didn't let me come over to her house that afternoon. She was busy doing something else she said.
So
"Let it Be" and
"Let it Snow" have powerful meanings for me. It was the right song for me to sing on that stage in late 1970 and still is today. I have played
Let it Snow many times when I played the French Horn, for band holiday concerts in junior high and high school, doing so without a hitch. I have listened to
Let it Be for hundreds of times and have at least six versions of it saved on my IPod. When I hear that tune, the song always brings me back to the days of my buckle leather mary jane shoes, my earliest memories of stacked rock albums leaning against the wall and tiny scoops of ice cream on a spoon, taken right from of the carton.